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The epic novel of the American West and the heroic cowboy
Owen Wister's powerful story of the tall, silent stranger who rides into the uncivilized West and defeats the forces of evil has become an enduring part of American mythology. Set in Wyoming Territory, The Virginian depicts the loneliness and challenge of an unknown land where the whistle of a freight train sounds across great miles of silence, where easy camaraderie—and sudden violence—are found around the campfire, and where the rough honesty of "frontier justice" is just beginning to impose a sense of society on an unruly populace. For Wister, the West represented a territory of adventure that tested the worth of a man. His hero, as John Seelye writes in his Introduction, has his roots in the historical romances of Sir Walter Scott and James Fenimore Cooper; he is a man who lives by the classic code of chivalry, ruled by quiet courage and deeply felt honor.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #598996 in Books
- Brand: Penguin Classics
- Published on: 1988-08-01
- Released on: 1988-08-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .90" w x 5.10" l,
- Binding: Paperback
- 454 pages
- Great product!
Review
An excellent edition. / Rhys Williams, Warwick University
From the Back Cover
Dime novels had featured some rather scrawny horse-bound tenders of cattle, but not until 1902 did the cowboy become a fully realized article of American culture. That year Owen Wister, a native of Philadelphia, published the novel that established the conventions of the western.
About the Author
Owen Wister (1860-1938) was born in Philadelphia and raised in Germantown, Pennsylvania. At age 25, he spent a summer in Wyoming on the advice of his physician. Encouraged by his friend from Harvard, Theodore Roosevelt, he later wrote about his experiences and observations of the American West. His greatest success came in 1902 with the publication of The Virginian, which was a bestseller for months and would be dramatized and filmed numerous times.
John Seelye is a graduate research professor of American literature at the University of Florida. He is the author of The True Adventures of Huckleberry Finn, Mark Twain at the Movies, Prophetic Writers: The River in Early American Literature, Beautiful Machine: Rivers and the Early Republic, Memory's Nation: The Place of Plymouth Rock, and War Games: Richard Harding Davis and the New Imperialism. He is also the consulting editor for Penguin Classics in American literature.
Most helpful customer reviews
54 of 55 people found the following review helpful.
No doubt about it -- a great Western romance . . .
By Ronald Scheer
For anyone fascinated by how the myth of the Western hero came into being, this is the book to read. Published in 1902, it became hugely popular for decades and inspired movies (a version with Gary Cooper in 1929) and a long-running TV series (1962-1971). A modern reader could easily guess the storyline without reading a synopsis - the classic elements are all there: tall, dark, handsome cowboy hero; pretty schoolmarm from back East; the villain who must finally face justice at the end of a gun.
Few historical novels are dedicated to American presidents, however, and another whole dimension of the novel opens up with the name appearing on the dedication page -- Theodore Roosevelt, a college friend of the author's. What Wister does, besides telling a story of adventure and romance, is portray a particular kind of heroic figure, a natural man whose integrity is untainted by the corrupt (though civilized) values of the East.
The book is a deliberate and often worshipful character study for the age of Teddy Roosevelt-style masculinity. The young Virginian charms us (and the narrator) with his courage and modesty and his thoughtful attempts to understand a world in which some men (even good ones) act dishonorably and make cowardly choices. Stoic and cool on the surface, the currents of sentiment run deep in this man. So does the will to self-improvement, as he reads Shakespeare and Sir Walter Scott.
This book connects with so much of American myth over the last 100 years that you could easily write another book about it. Or you can simply enjoy it for what it is, a historical romance so well conceived, in spite of its sometimes dated views, that you keep on reading through each episode of the story, glad that Wister was in no hurry to cut to the chase. This is a book for any reader of Western literature, fiction or nonfiction. In it the many traditions of the western come together in popularized form for the first time.
Readers who enjoy this book will also like Elmer Kelton's novel, "The Day the Cowboys Quit." While it's more historically accurate in its portrayal of working cowboys, it captures many of Wister's same narrative elements, in the courage, modesty and thoughtfulness of its hero, its portrayal of the relationship between a top hand and his boss, its fateful pursuit of cattle rustlers, an account of a troubled friendship between two men, and of course the loneliness and yearning at the heart of a man who loves a woman from afar.
26 of 26 people found the following review helpful.
The Original Western Novel
By H. P.
The Virginian is a historical novel, as it self-identifies immediately, defining "any narrative which presents faithfully a day and a generation" as "of necessity historical." The Virginian is also a romance and a western (the original western), set in Wyoming in the late 19th Century.
Surprisingly for the genesis of all westerns, The Virginian is light on action. It very much exists in its beautiful, lonely world. It was a time and place in which human interaction could be few and far between and people (the titular Virginian most of all) did not waste words. But that only makes dialogue all the more satisfying. The debates on literature between the Virginian and Molly are a great treat. In particular they emphasize just how wide a cultural gap exists between the roughhewn cow-puncher from a farming family in southern Appalachia and the refined schoolmarm from a good family in New England. It is just unfortunate that I am not literate enough to fully appreciate all of the allusions.
The chapter just before the hanging is one of the best in the book. It wonderfully captures the loneliness of the high plains, the tension of the situation, and the decidedly odd nature of the hanging. The entire final third of the book is about as pitch perfect as a novel gets.
The Virginian is without a doubt a product of the 19th Century. The characters often partake in the annoying habit of labeling positive qualities as masculine and negative qualities as feminine. The subtlety regarding matters touching on sex or violence can approach incomprehensibility, even to a careful reader. But it can also be refreshing to the reader used to modern novels (Lord knows subtlety is in short supply these days). The male characters are not bound by our odd, contemporary inability to express beauty and thus avoid the stilted language of today. Themes of gender interaction and good and evil can be dealt with unapologetically. Wister is not shy about the (smoothly integrated) insertion of philosophical musing, either.
One more quick, minor gripe: Wister adopts the annoying, all-too-common practice of heavily overusing apostrophes when writing an Appalachian dialect (that of the titular Virginian). The Virginian's diction and enunciation is also at odds with that which I am familiar with as a native of western North Carolina and resident of southwestern Virginia.
I read the Kindle version of The Virginian offered free through Amazon. There are a handful of typographical errors, but not enough to be overly distracting and none that cause confusion. It only includes the foreword from the author and no afterword. I also own an old Educator Classic Library edition from 1968. It omits the foreword, but contains numerous added illustrations and helpful definitions and explanations throughout the text (directly next to the relevant text in the margin so they do not affect readability like a footnote or endnote would). It also contains a "backword" with helpful information about Wister and the (surprisingly brief) romantic era of the cattle business.
0 of 0 people found the following review helpful.
Dangerous and Sweet
By Susan Goode
I am from Wyoming, so I felt like I was going home when I read it, even if it is 114 years old. Loved the way the characters were developed and the innocence of the time in literature. Would highly recommend it to anyone who likes the West and history.
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