Senin, 30 November 2015

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Four Stories

Representing four prominent American women writers who flourished in the period following the Civil War, this collection includes "Life in the Iron Mills" by Rebecca Harding Davis, "The Yellow Wallpaper" by Charlotte Perkins Gilman, "The Country of the Pointed Firs" by Sarah Orne Jewett, and "Souls Belated" by Edith Wharton.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #458133 in Books
  • Brand: Penguin Classics
  • Published on: 1990-12-01
  • Released on: 1990-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.72" h x .52" w x 5.14" l, .43 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Great product!

Most helpful customer reviews

3 of 4 people found the following review helpful.
If You Want to Know More About Rebecca Harding Davis
By Praise Lady
If you want to know more about Rebecca Harding Davis and the way her talent and life were subjugated to her husband's ambitions, read "Survival by Surrender" in "Something More - Excavating Your Authentic Self" by Sarah Ban Brethnach.

4 of 9 people found the following review helpful.
A wonderful look at some Early American Women's Lit.
By L. Richmond
Excellent choices. Highly recommended for your Womens Studies research or just for a pleasure read. I particularly love "The Yellow Wallpaper." A fascinating look in the shackled mind of stifled feminine creativity.

3 of 9 people found the following review helpful.
Inspired Reading
By Noelle
This book is inspirational as well as educational by transitioning between Romanticism and Realism. The work challenges the reader to decide whether it refers simply to the prospect of salvation for a man convicted of stealing. Also questions are raised that is it possible that through the naturalistic view that Hugh's theft he can be excused by his unfortunate environment and heredity. Davis is an insightful and thoughtful writer, and this book represents that.

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# Download PDF The House of Rothschild: Volume 2: The World's Banker: 1849-1999, by Niall Ferguson

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The House of Rothschild: Volume 2: The World's Banker: 1849-1999, by Niall Ferguson

The House of Rothschild: Volume 2: The World's Banker: 1849-1999, by Niall Ferguson



The House of Rothschild: Volume 2: The World's Banker: 1849-1999, by Niall Ferguson

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The House of Rothschild: Volume 2: The World's Banker: 1849-1999, by Niall Ferguson

A major work of economic, social and political history, Niall Ferguson's The House of Rothschild: The World's Banker 1849-1999 is the second volume of the acclaimed, landmark history of the legendary Rothschild banking dynasty.

Niall Ferguson's House of Rothschild: Money's Prophets 1798-1848 was hailed as a 'great biography' by Time magazine and named one of the best books of 1998 by Business Week.

Now, with all the depth, clarity and drama with which he traced their ascent, Ferguson - the first historian with access to the long-lost Rothschild family archives - concludes his myth-breaking portrait of once of the most fascinating and power families of all time.

From Crimea to World War II, wars repeatedly threatened the stability of the Rothschilds' worldwide empire. Despite these many global upheavals, theirs remained the biggest bank in the world up until the First World War, their interests extending far beyond the realm of finance. Yet the Rothschilds' failure to establish themselves successfully in the United States proved fateful, and as financial power shifted from London to New York after 1914, their power waned.

'A stupendous achievement, a triumph of historical research and imagination'


Robert Skidelsky, The New York Review of Books

'Niall Ferguson's brilliant and altogether enthralling two-volume family saga proves that academic historians can still tell great stories that the rest of us want to read'
The New York Times Book Review

'Superb ... An impressive ... account of the Rothschilds and their role in history'
Boston Globe

Niall Ferguson is one of Britain's most renowned historians. He is Laurence A. Tisch Professor of History at Harvard University and a Senior Research Fellow of Jesus College, Oxford. He is the bestselling author of The Pity of War, The Ascent of Money, Empire, Colossus, The War of the World and Civilization.

  • Sales Rank: #90106 in Books
  • Color: Blue
  • Published on: 2000-09-01
  • Released on: 2000-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.20" w x 5.90" l, 1.42 pounds
  • Binding: Paperback
  • 576 pages

Amazon.com Review
Continuing the sweeping narrative that he began with The House of Rothschild: Money's Prophets, 1798-1848, Oxford University historian Niall Ferguson conjures up a world in which widespread change and utter uncertainty held sway in the place of carefully ordered dynasties and universally observed mores. In the aftermath of the Napoleonic revolution, European Jews had been able to move within dominant societies somewhat more freely. Of no family was this more true than the Rothschilds, whose branches lived in Germany, France, Austria, and England, and whose vast financial empire enabled them to act as diplomats and power brokers throughout the world. Their influence was enormous. When Spain wanted to build a railroad, its ministers approached the House of Rothschild. When the Confederate States of America sought to be recognized by the states of Europe, it sought--unsuccessfully--the Rothschilds' support. When Ferdinand de Lesseps broke ground for the Panama Canal and Cecil Rhodes broke ground for his vast diamond and gold mines in South Africa, Rothschild funds backed them.

Until the 1920s, Ferguson demonstrates, there was almost no economic, technological, or political development in Europe in which the House of Rothschild did not play some role. The rise of nationalist and national socialist movements and of official anti-Semitism, coupled with the rise in the Jazz Age of a new generation of Rothschilds that cared more for the good life than for the hard work of maintaining their holdings, led to a substantial decline in the family's authority and wealth. But even today, as Ferguson writes in this richly detailed but eminently readable history, the Rothschilds figure in European finance, continuing a legacy that Ferguson's two volumes trace from the Middle Ages to the new millennium. --Gregory McNamee

From Publishers Weekly
Ferguson is not only publishing massive works of history at an astonishing rate; he is publishing well-written and controversial books. The Pity of War (Forecasts, Mar. 8) caused a stir by arguing that Britain bore the brunt of the blame for WWI. The completion of his two-volume history of the Rothschild banking empire begins at a high point of wealth, power and civic involvement, with Benjamin Disraeli a close family friend and Lionel Rothschild playing a leading role in gaining Jews the right to sit in Parliament. The book ends with the post-WWII rebuilding of the Rothschilds into a far-flung "mini-multinational." Drawing on thousands of letters from private Rothschild archives, Ferguson does a masterful job of showing how the Rothschild financial empire interacted with the governments of Europe. His account is peppered with countless refutations of previous interpretations and analyses. Yet the larger historical picture is often blurred as Ferguson furnishes blow-by-blow accounts of, for example, the French Rothschilds' ultimately successful decades-long battle against the Cr?dit Mobilier. Readers will be left wanting more analysis of the larger sea change that consigned the Rothschild style of private banking to its current secondary status. And while he follows the senior partners in Britain and France (other houses, in Naples, Vienna and Frankfurt, either closed or simply receded from Ferguson's view), Ferguson sticks to their public deeds and roles, rarely venturing into the personal or the psychological. Still, this history is teeming with soundly argued expositions on the role of a singularly important family. Illus., charts, tables, appendices. (Nov.) FYI: In November, Penguin will publish The House of Rothschild: Money's Prophets 1798-1848 in paperback.
Copyright 1999 Reed Business Information, Inc.

From Library Journal
In this sequel to The House of Rothschild: Money's Prophets 1798A1848 (LJ 10/15/98), Ferguson takes the Rothschild consortium from its zenith in the mid-1800s to the present day. In his view, the fundamental lesson of the Rothschild history is that the world evolves; over time, it is difficult to maintain superiority in any area, banking included. (Superiority, of course, is a relative term.) Risk and finance go hand in glove, and as the Rothschild consortium aged, it grew more and more "establishment," formally participating in government affairs. At the same time, it was unable to establish a beachhead on American shores, which ultimately led to its diminished importance in banking on an international scale. For students of economic history, this is a fascinating volume, but other readers will find this hard going. Recommended only for specialized collections.ASteven Silkunas, Southeastern Pennsylvania Transportation Authority, Philadelphia
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

54 of 61 people found the following review helpful.
un-dumbed down
By A Customer
let me begin by saying that i am not in the habit of handing out five stars in my reviews, but this fine book certainly deserves it. i am not quite sure what to make of some of the criticisms leveled at this book in the reviews until now--too many facts, overly exhaustive, too much about continental finances or politics? can a definitive work of non-fiction have too many facts or be too exhaustive? what meaning do the rothschilds have if not in the context of continental politics. i loved every one of those three qualities about this book and, to boot, though it was appallingly well written as well. i found ferguson exhiliratingly (is this an adverb? it ought to be one) willing to assume that i could assimilate mass amounts of data, only sometimes arcane, and still want to follow a linear, only sometimes, social history--that's what definitive works are all about, i think. i applaud ferguson's not dumbing down history. and perhaps that is the difference between those who very much this book and those who didn't. i wanted to read history, and got it; others, perhaps, wanted to read a good yarn and didn't.

22 of 28 people found the following review helpful.
The House of Rothschild
By Harry Rosenberg
Ferguson insults the purchaser of the Penguin Paperback by omitting the bibliography and only providing sketchy footnotes. "Serious scholars" who desire these items are advised to buy the Harcover edition. Other than that, it is a good read

3 of 3 people found the following review helpful.
It seems like in order to get access to the Rothchild's papers ...
By RKM
Purchased this and volume 1 so that I could learn about the Rothschild's rise and their current status. It seems like in order to get access to the Rothchild's papers Mr. Ferguson had to play too much of a cheerleading role. I was hoping for more neutral perspective. I was NOT looking for dirt or about how they exploit people (they are bankers, what do you expect), but I was expecting a more well-rounded approach. There is a lot of information in these two volumes, but I found this one (the 2nd) to be less compelling. It seemed like Mr. Ferguson was trying to finish it and lost interest in the subject. The first volume I would read again, this one I would pass on.

See all 34 customer reviews...

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Minggu, 29 November 2015

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Dorrie and the Wizard's Spell (Young Fiction Read Alone), by Patricia Coombs

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Dorrie and the Wizard's Spell (Young Fiction Read Alone), by Patricia Coombs

This is Dorrie. She is a witch. A little witch. Her hat is always crooked and her socks never match. The Big Witch is her mother, and Gink is her very own black cat. Everybody who loves The Worst Witch will love Dorrie the Little Witch. Dorrie is busy helping out at the Library Bazaar. But she's so busy that she doesn't even notice when her mother, the Big Witch, accidentally drinks Wizard Wink's magic potion and disappears! Will Dorrie solve the mystery and break the spell? Have you collected all of Dorrie's adventures? Dorrie and the Blue Witch; Dorrie and the Wizard's Spell; Dorrie and the Dreamyard Monsters; Dorrie and the Play; Dorrie and the Screebit Ghost; Dorrie and the Haunted House. Dorrie has been delighting readers since 1962 and now in these new editions she is set to captivate a new generation of fans. Perfect for children aged 6+. Patricia Coombs was born in 1926 in Los Angeles. She attained a BA and MA in English Literature at the University of Washington. Her first children's story, Dorrie's Magic, was published in 1962. It was inspired by and written for her two daughters, as were the following 28 books in the Dorrie the Little Witch series.

  • Sales Rank: #4246488 in Books
  • Published on: 1982
  • Format: Import
  • Number of items: 1
  • Binding: Paperback
  • 64 pages

About the Author
Patricia Coombs was born in 1926 in Los Angeles. She attained a BA and MA in English Literature at the University of Washington. Her first children's story, Dorrie's Magic, was published in 1962. It was inspired by and written for her two daughters, as were the following 28 books in the Dorrie the Little Witch series.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Wonderful book; poorly printed
By L. OROURKE
Unfortunately these Dorrie books have been out of print for years. I was so happy to see that someone decided to reprint them--happy enough, apparently, to spend $17 on a paperback version!!! For that amount of money I expect at least quality printing, but some of the illustrations were so poorly printed that lines and facial features were very fain or even missing. If not for the quality of printing I would give this five stars. What a wonderful book! I'm happier to have it than not, but for the price it should look better!

6 of 6 people found the following review helpful.
my favorite Dorrie book
By N. Ferguson R.
Sweet little witch Dorrie and her cat, Gink, are in trouble again.

The community is holding a "white elephant" sale/garage sale to raise money for a good cause. At the same time, Dorrie's mother, the Big Witch, disappears. Can Dorrie solve the mystery and foil a troublesome wizard?

Of course, the answer is yes! Brave, clever, and loving Dorrie saves the day. The illustrations are funny and sweet, making each character so endearing and original. If you only buy one "Dorrie" book, choose this one.

0 of 0 people found the following review helpful.
new covers are amazing!
By Winter Rain
Just got my books and I love them. the new covers are amazing. i love how they kept the inside art work like the old books

See all 9 customer reviews...

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Sabtu, 21 November 2015

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Gifts is a beguiling tale of a Somali family, its strong matriarch, Duniya, and its past wounds that refuse to heal. As the story unfolds, Somalia is ravaged by war, drought, disease, and famine, prompting industrialized nations to offer monetary aid—"gifts" to the so-called Third World. Farah weaves these threads together into a tapestry of dreams, memories, family lore, folktales, and journalistic accounts.

  • Sales Rank: #619454 in Books
  • Published on: 2000-11-01
  • Released on: 2000-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.30" l, .53 pounds
  • Binding: Paperback
  • 256 pages

Amazon.com Review
Though he has lived in exile for the last 20 years, Nuruddin Farah's eye never strays far from his native Somalia. In Maps and Secrets, the first and third volumes in his Blood in the Sun trilogy, he explored the devastating effects of tribal hatred and civil war on his society; the middle volume, Gifts, however, is of a different stripe altogether. Though also set in Somalia, it is a sunnier, more optimistic novel, and a love story, to boot. The protagonist is Duniya, a nurse at a maternity hospital in Mogadishu. Once widowed and once divorced, she has experienced the injustices heaped upon women in her culture--as a young girl Duniya was given by her father to an elderly man to be his wife; after his death she remarried, only to have her child taken from her by her alcoholic husband's family when they divorced. Free at last, she has no intentions of getting entangled again--until she meets Bosaaso, an American-educated economist who has returned to Somalia to help his country during its economic crisis: Duniya thought that marriage was a place she had been to twice already, but love was a palace she hadn't had the opportunity to set foot in before now. If what she and Bosaaso were doing was the beginning of a long courtship that might eventually lead to such a many-roomed mansion of love, so be it. So far she had only seen glimpses of it, in a rear-view mirror, in the eyes of a driver who wasn't a taxi driver. But love is not all Nuruddin has on his mind. He constantly reexamines the theme of gifts, from the personal gifting of one's body or heart to the impersonal "aid" bestowed by wealthy nations upon the poorer ones. But Gifts is hardly a political tract, for it consistently eschews the general in favor of the particular. In tracing Duniya's budding relationship with Bosaaso, Nuruddin not only tells the love story of two individuals but also etches a remarkable portrait of women in Somalia. The relationship between Duniya and Bosaaso is sweet, funny, and tender, but it is in her ties to her women friends and daughters that the book shines. As she learns to swim and drive, to stand up to her overbearing former in-laws and to trust her heart, it is within the context of an extended web of friends and family. Maps and Secrets expose the uglier aspects of war-torn Somalia; Gifts, on the other hand, offers its hidden strengths. --Alix Wilber

From Publishers Weekly
In Gifts, the second volume in Farah's Blood in the Sun trilogy (see Maps, above), the same forces of war and unrest in Somalia shape the life of Duniya, a widowed nurse with three children trying to juggle a career and the emotional needs of a mature woman in the big city. Nearing 35 years of age, she is pitied by her fellow nurses as a woman whose happiest years have already passed her by. As Duniya recalls the dearth of choices in a rigid patriarchal society, she tells how her dying father asked his friend, Zubair, to marry his young daughter and how she was unable to refuse the old blind man, who would sire her twins before dying. Over the course of Duniya's many adventures, her sanity is buttressed by her loyal friend, Bosaaso, a widower Duniya meets at the hospital. The solidity and sincerity of their unlikely relationship counteracts the pain and confusion caused by the series of mishaps that befall the resilient Duniya, who represents, in her strength and courage, the kind of women who enable Somalia to survive its darkest moments. In Gifts, as in Maps, Farah presents a remarkable portrait of unquenchable humanity in a beleaguered people. Reading both these distinctive, significant books will whet the reader's appetite for Farah's powerful early works. (Aug.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Intended as the first two books in the author's "Blood in the Sun" trilogyAthe third being Secrets (LJ 5/1/98)Athese novels are a moving study of life in Somalia before the civil war. Maps is the story of Askar, found as a newborn beside his mother's dead body and raised by Misra, an outcast in the village because of her Ethiopian heritage. Years later, during the war with Ethiopia, Askar must choose between his country and the woman who raised him when Misra is accused of betraying their village to the enemy. Gifts tells the story of Duniya, a nurse trying to raise three children alone in the capital city of Mogadishu. When she decides to accept responsibility for an abandoned baby, she must confront the patriarchs of her family, Somalia's male-dominated bureaucracy, and her own fierce independence. In both novels, Farah has eloquently woven dreams, memories, and folklore into modern tales of ordinary people trying to live their lives with dignity in the midst of famine, colonialism, and longstanding ethnic hatreds. With their own unique styles and engaging characters, each novel easily stands on its own. Recommended for all libraries, even those that do not own the third novel.AEllen Flexman, Indianapolis-Marion Cty. P.L.
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

8 of 11 people found the following review helpful.
READ THESE BOOKS!
By A Customer
I just posted a review of Nurrudin Farah's Maps, and I wanted to make sure everyone knows the whole trilogy is brilliant. If I had to separate them, Gifts I think is the easiest to read, but all by itslef is maybe less rewarding than Maps or Secrets. But it's still an amzing book--one of the best contemporary novels that I've read--and the whole trilogy has radically reshaped changed the way I think about literature and the world.

0 of 0 people found the following review helpful.
Decent, but not great.
By Trevor Cooper
Firstly, the Kindle edition is rife with spelling errors and missing punctuation.

I had to read this book for a college course and it was my least favorite out of the five African novels I've read so far. The entirety of the class (~20 people, professor included) did not enjoy the book. The main theme of the book is--as the title clearly states--gifts. The protagonist, Duniya, must learn how to give gifts to and accept gifts from the people around her while also learning the true meaning of gifts. Farah does not give subtle hints of symbolism or foreshadowing, instead opting to put everything right in front of your face. There is also no secondary theme in the novel. Several other plot points are quite confusing, including the shared dreams between Duniya and Bosasso. I was surprised to find out that this book was not one that he wrote originally in Somali, as many of the passages read as if they were translated to English. Farah does give a good understanding of the role tradition plays in Somali life, especially with his frame stories about the cow and Juxaa.

Perhaps Farah's work as a playwright is better than Gifts, as he is apparently well-praised for his plays. However, I wouldn't recommend this novel to anyone before suggesting books such as Segu, Half of a Yellow Sun, or Things Fall Apart.

5 of 7 people found the following review helpful.
This is breathtakingly Marvelous.
By Adam Garad
Woow! When I read this book, I though this author is rather unique in this world. The language is rich and vivid. From there I decided to read all his work.

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Jumat, 20 November 2015

~ Ebook Secret of the Andes (Puffin Book), by Ann Nolan Clark

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Secret of the Andes (Puffin Book), by Ann Nolan Clark

A Newbery Medal Winner

An Incan boy who tends llamas in a hidden valley in Peru learns the traditions and secrets of his ancestors. 


"The story of an Incan boy who lives in a hidden valley high in the mountains of Peru with old Chuto the llama herder. Unknown to Cusi, he is of royal blood and is the 'chosen one.' A compelling story."—Booklist 

  • Sales Rank: #46354 in Books
  • Color: Other
  • Brand: Puffin
  • Published on: 1976-10-28
  • Released on: 1976-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .33" w x 5.13" l, .20 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Great product!

About the Author
Jean Charlot was a master lithographer and muralist whose works are a part of the collections of the Museum of Modern Art and the Metropolitan Museum of Art.

Most helpful customer reviews

66 of 77 people found the following review helpful.
Yes, I am a thirteen year old... but this book bores teens and children!
By A Customer
Maybe as an adult, this book is intriguing and very interesting. It may be something you will never forget, or one of the best, most award-deserving books you have ever read.
But I think it's really boring.
They made us read this in school, and I was really bored, as well as confused, throughout the entire thing. This book was intended for kids to read it, but for some reason, it seems to bore all of them.
What really gets me is some of the adults who liked this book say "Children writing reviews of this book is inappropriate" because we can't fully appreciate the value of this exceptional story. Well, why not? We are people who have read this book. I DO have an opinion on whether or not it's worth wasting your money on.
And I think it's not. Yes, this review may actually be helpful for a potential buyer. Why rate it "not helpful" just because it goes against your opinion and is not favorable about the book?
I think THAT's more childish than most of our reviews.

28 of 31 people found the following review helpful.
Important Reading
By Oddsfish
Secret of the Andes by Ann Nolan Clark is a marvelous children's novel which can be very important reading for children. The beautiful novel certainly earned its Newbery Medal.
The novel is the story of Cusi. He is an Inca boy who has been raised in a remote valley of the Andes mountain range by an old man, Chuto. Cusi is of royal Inca blood, but this is four hundred years after the Spanish conquest. Cusi has been raised in the traditional Inca manner. The plot of the novel concerns Cusi's search for himself. He has been raised without a "family" (at least in the traditional sense), and he is sent from the valley, with the companionship of his pet llama, to find his path in the world, a task that he sees as finding himself a family. The world Cusi goes into is one which is very different from the one he has been raised in because the Spanish culture has become predominant. Then, Cusi is forced to come to terms with his own way of life and with what his concept of "family" should be.
Secret of the Andes is an amazing book. I think that it can be extremely important in helping children to understand the view-point of Native Americans and helping them to understand Native American literature later in life. I also found that this novel was, in ways, similar to adult novels like Chinua Achebe's Things Fall Apart. It aids in this understanding through a fairly simple story of a young, regular boy who can be related to. Ann Nolan Clark really created a masterpiece with Secret of the Andes.

21 of 24 people found the following review helpful.
My view on this wonderfully imaginative book
By A 12-year old reader
Have you ever wondered what it is like to be part of an ancient culture? Well here is your chance! "Secret of the Andes" is a excellent book to read if you have ever asked yourself this question. This book is about a young Incan boy, by the name of Cusi, who lives high in the Andes of South America. He is a llama herder, a noble and very common occupation where he lives. His keeper is a man by the name of Chuto, a secretive and mysterious man. The one thing Cusi wants in his life is a family. One day his llama guides him to a temple, there Cusi finds something very peciular....
This book was written for twelve to thirteen year olds. It contains emotional struggles that anyone younger would'nt be able to grasp.
One main topic of this story was that of family. The one thing Cusi ever wanted was a family. The only family he had ever known. One day a family moves into the valley below. After seeing this he deides that one day he will go in search of his own family.
Another topic is culture. One day Cusi finds out that he is the last of a long line of Incan royalty.
"Secret of the Andes" is a good book for anyone who enjoys reading about far off places and different cultures.

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* Download PDF Reagan's America: Innocents at Home, by Garry Wills

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Reagan's America: Innocents at Home, by Garry Wills

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Reagan's America: Innocents at Home, by Garry Wills

Ronald Reagan achieved magical accord with the American people, attuning them to his moral vision of a nation made up of optimistic individualists, tough yet God-fearing, blessed with a special destiny. In Reagan's America, Pulitzer Prize winning author and historian Garry Wills seeks to understand Reagan's appeal through understanding his audience, the Americans who found in him everything they wanted to believe about themselves. An authoritative biography and a fascinating cultural history, Reagan's America reveals how this savvy, charismatic leader restored a nation's fading sense of innocence and faith in itself.

  • Sales Rank: #1476128 in Books
  • Published on: 2000-09-01
  • Released on: 2000-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.40" w x 5.40" l, 1.20 pounds
  • Binding: Paperback
  • 592 pages
Features
  • 572 pages
  • With new introduction by the author

Most helpful customer reviews

19 of 21 people found the following review helpful.
Best authority on Reagan's early life
By Michael Albert Riccardi
COvering much of the same ground as Edmund Morris in his authorized biography, "Dutch," Garry Wills' "Reagan's America: Innocents at Home" is a much more successful look at the institutions and country that shaped the 40th President.
With his usual incisive analysis and beautiful use of the English language, Wills does what Morris found impossible: the discovery of Reagan's soul.
To Wills, Reagan is the logical product of the American heartland and of the institutions of the heartland: community service (he was a lifeguard first), small town media (he was a Des Moines, IA, radio announcer). Reagan is also shaped by the institutions of coastal America that are marketed to the heartland: movies and big business (when Reagan made the final turn toward conservatism, he was the national spokesman for General Electric). Finally, Reagan is also the product of a dysfunctional family, with some of the same logical results: a withholding from others, a love of the abstract and of fantasy.
At the end of Wills' study, the reader gains a clear impression of the forces that created Ronald Reagan and bonded him to the American people. It is true that Reagan, as Morris argues, is enigmatic. But he is not impossible to begin to understand. Wills is the essential guide to the Reagan who was fully formed long before he reached the White House.

11 of 11 people found the following review helpful.
Part Biography, Part Critical Cultural History
By John Hevelin
I have read many books by Gary Wills, and this is one of his best. It is an astonishing work of history and cultural analysis, impressive in the breadth of his learning and the depth of his insight. Mr. Wills writes knowledgeably and skillfully about a wealth of topics: the America of Mark Twain ... religious fundamentalism of the late nineteenth and early twentieth centuries ... the Great Depression ... history of Hollywood, including labor politics ... California politics ... the John Birch Society ... Cold War strategy, nuclear deterrance, and the "Star Wars" defense system ... relations with Latin America, the World Court, and the United Nations ... "supply-side economics," the Laffer Curve, and Reagonomics ... and much, much more, all to create the context in which to understand Reagan's success and his appeal to his constituencies.

Uncritical Reagan enthusiasts will not be happy with the way Wills dissects the contradictions inherent in Reagan the politician, but Wills's analysis is cogent and persuasive. Wills discusses at length the gap between word and deed in Reagan's career. Of Reagan as Governor of California, Wills writes: "Thus, the candidate who had run against big spenders quickly became the governor who asked for and got the highest tax raise in the history of California (or any other state)...." And of Reagan's first term as President, Wills writes: "In 1982, unemployment rose to 10.7 percent, higher than it had been since the Great Depression, along with the greatest number of bank failures since 1940. Record bankruptcies and farm closures were occurring.... He added as much to the national debt in those four years as had been accumulated in our national history to that point, so that one of every seven dollars spent by the government in 1985 went to paying interest on the debt." And Wills spends considerable time critiquing the myths of individualism and self-reliance that underlay the Reagan mystique.

Wills is critical of Reagan, but his assessment is never disrespectful or mean-spirited. Wills works hard to understand Reagan in terms of Reagan's own values and in terms of the values of the Americans that supported him. This is a remarkable study of a man and his times, and is well worth reading.

I was astonished to learn that while in high school, Reagan saved the lives of over seventy-five people while working as a lifeguard.

29 of 43 people found the following review helpful.
clueless in America
By A Customer
Wills dissects Ronald Reagan's career with a sharp scalpel calling attention to the man's ignorance, naivete and disingenuous story telling, all coexisting with personal charm and an optimistic nature. He ties in Reagan's notion of an innocent past and glorious future with American mythology. Reagan's appeal as the first amiable conservative (W would seem to be the second) stood him in good stead with the public. What were we thinking? This is not a hatchet job but a carefully reasoned and most thoughtful assessment of the man whose fanciful economic policies led the country into deep debt and tragically slowed social progress.

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** Download Ebook Breakfast at Tiffany's, by Truman Capote

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Breakfast at Tiffany's, by Truman Capote

Immortalised by Audrey Hepburn's sparkling performance in the 1961 film of the same name, Breakfast at Tiffany's is Truman Capote's timeless portrait of tragicomic cultural icon Holly Golightly, published in Penguin Modern Classics . It's New York in the 1940s, where the martinis flow from cocktail hour till breakfast at Tiffany's. And nice girls don't, except, of course, for Holly Golightly: glittering socialite traveller, generally upwards, sometimes sideways and once in a while - down. Pursued by to Salvatore 'Sally' Tomato, the Mafia sugar-daddy doing life in Sing Sing and 'Rusty' Trawler, the blue-chinned, cuff-shooting millionaire man about women about town, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveller, a tease. She is irrepressibly 'top banana in the shock deparment', and one of the shining flowers of American fiction. This edition also contains three stories: House of Flowers , A Diamond Guitar and A Christmas Memory . Truman Capote (1924-84) was born in New Orleans. He left school when he was fifteen and subsequently worked for The New Yorker, which provided his first - and last - regular job. He wrote both fiction and non-fiction - short stories, novels and novellas, travel writing, profiles, reportage, memoirs, plays and films; his other works include In Cold Blood (1965), Music for Chameleons (1980) and Answered Prayers (1986), all of which are published in Penguin Modern Classics . If you enjoyed Breakfast at Tiffany's , you might like Capote's In Cold Blood , also available in Penguin Modern Classics . One of the twentieth century's most gorgeously romantic fictions. ( Daily Telegraph ). The most perfect writer of my generation...I would not have changed two words of Breakfast at Tiffany's . ( Norman Mailer ).

  • Sales Rank: #116083 in Books
  • Published on: 1961
  • Format: Import
  • Number of items: 1
  • Binding: Paperback

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290 of 304 people found the following review helpful.
Four Tales of Belonging
By Donald Mitchell
The well-known short novel, Breakfast at Tiffany's, and three of Truman Capote's most famous short stories make for a continually fresh and exciting look at how human beings successfully connect with one another. No matter how many times you read these stories, you will be moved by Mr. Capote's marvelous sense of and appreciation for the specialness of each life and the ways we belong to each other. Having not read Breakfast at Tiffany's for about 30 years, I came away much more impressed with the novel than I was the last time I read it. Perhaps you will have the same reaction upon rereading it as well. If you are reading it for the first time, you have a very nice surprise ahead of you!
Breakfast at Tiffany's revolves around Holly Golightly, the former starlet and cafe society item, who floats lightly through life (like cotton fibers in the wind) looking for where she belongs. Ms. Golightly is and will remain one of the most original and intriguing characters in American fiction. Like a magician, she is both more and less than she seems. But she has an appreciation for people and animals that goes to the core of her soul that will touch you (if you are like me), especially in her desire that they and she be free.
The novel has a harder edge and is more revealing about human nature than the movie is. Of the two, I suggest you start with the novel and graduate to the movie. You will appreciate the portrayal by Audrey Hepburn of the inner Holly more that way. The same humor is in both the novel and the movie, as well as the innocent look at life for what it can be, believing in the potential of things to work out for the best.
Despite that upbeat note, her weakness is that for all of her ability to understand what motivates other people she does not understand herself well enough to know when she does belong with and to others. This is symbolized by her abandonment of her unnamed cat, and quick realization that they do belong together. As for the friends she leaves behind, she never seems to appreciate how much they love her and want to be with her. As a result, she abandons them as well . . . leaving them with memories to warm their winter nights.
Mr. Capote is now realized to have been a more autobiographical writer than was appreciated when he first published his fiction. Your understanding of Breakfast at Tiffany's will grow if you keep in mind that it was modeled in part on his friendship with Marilyn Monroe. If you do not know her history, you will find that it closely paralleled Holly's through age 18.
The same is true of his short story, "A Christmas Memory." I suggest that you read about Mr. Capote's childhood in the recent book, A Southern Haunting of Truman Capote, to fully appreciate the magic of this story. His "friend" in the story was based on a beloved figure in his young life, who endowed him with a special sense of being loved and appreciated that formed an important foundation for his character and his skill as a writer. The beautiful devotion that she showed to him is reflected in the loving descriptions he makes of their experiences during their last Christmas together before he was shipped off to military boarding schools at age 8.
"A Diamond Guitar" is about the Platonic love of an older man for a younger one in prison. Like all unrequited love, the older man eventually finds himself embarrassed and exposed. But the experience remains a touchstone to tender feelings in his heart, and he keeps his young friend's glass-diamond-studded guitar under his bed . . . even though it doesn't sound good when others play it and is becoming shabby with age.
"House of Flowers" is a hard look at the vast differences in the ways that women and men view their relationships with one another. Even when loving, the message seems to be that the men will always take advantage of the women. The women, however, acquire soulful beauty in their ability to overcome that needy exploitation and appreciate belonging to one another and to the men.
This story tells the tale of a young woman who works in a house of ill fame in Haiti, and is charmed into "marrying" a young, poor hill man who is dominated by his spell-casting grandmother. Together, the young couple overcome the challenge, and build on their love for one another.
Budding novelists are sometimes encouraged to study nature closely to draw inspiration. Although I do not know if Mr. Capote ever received or followed that advice, it is very clear that he retained a childlike ability to see the world as fresh and new every time. No detail, no nuance, no quirk was too small or unimportant to pass by him or to fail to cast its charm upon him. Kindly and gently, Mr. Capote takes the reader by the hand and shows what makes these elements so interesting to him. In this way, the reader's world is expanded, enlightened, and improved.
These four stories reverbrate against one another, like the continuing vibrations after a large bell after pealing four times, and create a combined effect beyond what any single story can provide.
After you have finished enjoying these stories and the movie, I suggest that you makes some notes about where you belong, who you belong with and to, and what that says about you. In this way, you can notice important connections that mean a lot to you and others that you may be slighting. Honor those tendrils in the way that Mr. Capote would if he were writing a story about your life.
Notice and touch life intimately and lovingly to find truth and beauty!

71 of 73 people found the following review helpful.
A Small Jewel!
By Vivek Tejuja
Just finished reading "Breakfast at Tiffany's" and let out a long sigh right after with a smile on my face. The ending may not necessarily be your typical happy-ending, nonetheless it is delightful. It was a re-read for me, for about like the 4th time and every time I have read it, I have found something different in it. While reading it this time I couldn't separate the movie from the book. Audrey and Peppard kept flashing in front of me as I was reading the book and it felt nice. As I type this so-called review I am listening to "Moon River" [instrumental] and watching Audrey in the opening credits. I love the book. According to me, no one can ever write a novella of such force [besides Marquez and Murakami] than that of Capote. As Norman Mailer said about it, "I wouldn't want to change any word of it. Its just perfect", that's exactly how I feel about it.

Breakfast at Tiffany's - if you already do not know what its about, may be because you haven't read it - the plot is simple: It is about lost dreams, sometimes unrequited love and a whole lot of wit, profundity and the chance to go the whatever length in order to get what one wants. It is about Holiday Golightly [love the play of words] and her life or rather a fragment of her life, as seen through the eyes of the narrator Paul. Paul who loves Holly like all the other men in her life. Holly, who is also an escort/call girl. A girl who is all of twenty and possesses the wisdom of a thirty-year old without losing her naivety. Who believes that one mustn't betray friends, no matter what. Who jumps into a cab and visits "Tiffany & Co." when she gets the `mean reds'. Holly is everything and more. She is promiscuous. She is brazen. She does things like stealing masks and as Billy Joel would put it, "She's always a woman to me"...

Breakfast at Tiffany's is a novella with many layers to it. Abandonment, loneliness, the need to belong and yet not be chained at the same time, the delight in the unorthodox and last but not the least about not loving a wild thing. As Holly says in the book, ""Never love a wild thing, Mr. Bell...That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky"

The book was written by Capote at the peak of his career. The somewhat "curious" title Breakfast at Tiffany's was inspired by a man from out-of-town that Capote heard about, who was "ignorant of New York". When the man was asked to pick from the best restaurants in New York where to eat breakfast, he replied: "Well, let's have breakfast at Tiffany's," which was the only place he knew of.

Written in 1958, it portrays a world in which women were invariably best seen and not heard, and totally reliant on men for money and worldly comforts. And yet Capote has created a female character that is largely independent and emotionally strong, although she's vulnerable too (loneliness, depression and desperation are hinted at). While she might be having a lot of fun, she's also on the run from a past that is forever trying to catch up with her as she tries to find a place that makes her feel as happy as Tiffany's does.

All in all, this short novella is a joy to read. Capote's writing is typically rich and lyrical. He describes this woman in such a way that you get the sense he has moulded her on someone that intrigued him, that held some allure or had an aura of mysticism that left a deep impression.

87 of 95 people found the following review helpful.
My all-time favorite American classic!
By CoffeeGurl
I re-read this book and was pleased to find that I wasn't wrong about it the other million times I read it. Truman Capote is one of my favorite authors and Breakfast at Tiffany's is my all-time favorite American classic. I don't read about Holly Golightly, I absorb this unique, eccentric character. The message Mr. Capote conveys in this novel is one of poignancy and charm. Holly, like her nameless cat, is a free spirit, a young woman whose quirks and unconventional lifestyle endear everyone, including the ambiguous narrator. This book overwhelms me with sadness every time I read it. Ms. Golightly's elusiveness touches me every time. I also love the film version of this novel. But the story gets lost somewhere amid the chemistry between Audrey Hepburn and George Peppard. Peppard plays the narrator, and his character loses the mystery and ambiguity that is evident in the book. And even though I love the film's ending, the novel's conclusion is unforgettable. There are various differences between the book and the film, but they're both classics in their unique way. If you've seen the movie but haven't read the book, I strongly suggest you pick it up. Truman Capote is a brilliant writer, and he outdid himself with this timeless gem.

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Kamis, 19 November 2015

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The Big Green Book., by ROBERT. GRAVES

"An orphan boy who finds a big green book of magic in his guardians' attic . . . turns himself into a little old man, defeats his aunt and uncle at cards, and lets a rabbit chase the dog, before turning back into a child".--New York Times Book Review.

  • Sales Rank: #1820697 in Books
  • Published on: 1978
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.76" h x .20" w x 5.04" l,
  • Binding: Paperback
  • 64 pages

Review
"Fantasy value here for power-hungry young imaginations. Maurice Sendak's delightful pictures add a winning note of gaiety"

About the Author
Maurice Sendak was born in Brooklyn, New York. He began by illustrating other authors' books for children, but the first book that he both wrote and illustrated was Kenny's Window, published in 1956. In his lifetime, he illustrated over 80 books, and received many awards, including the 1964 Caldecott Medal for Where the Wild Things Are. In 1970 he was the first American to win the Hans Christian Andersen Illustrator's Medal. He passed away in May 2012. Robert Graves was born in 1895 in Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welsh Fusiliers. Apart from a year as Professor of English Literature at Cairo University in 1926 he earned his living by writing, mostly historical novels which include I CLAUDIUS and THE GOLDEN FLEECE. He wrote his autobiography, GOODBYE TO ALL THAT, in 1929. He translated Apuleius, Lucan, and Suetonius for the Penguin classics, and compiled the first modern dictionary of Greek mythology, THE GREEK MYTHS. He was elected Professor of Poetry at Oxford in 1961, and became an Honorary Fellow of St John's College, Oxford, in 1971. He published a new edition of his COLLECTED POEMS in 1975. Robert Graves died in December 1985 in Majorca, his home since 1929.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Sendak Illustrations and the Kid Wins
By Mamazabakaka
This book scored a very big hit with my 5-year-old grandson and both of his parents. The kid is not as powerless as he thought, even though he's just a kid, and he gets to win. For kids who often feel like they don't have anything to say about their lives and the grownups have all the power, this is a charming, happy story. I love the illustrations, as well. My daughter and son-in-law are both working artists and Maurice Sendak is a family favorite.

7 of 7 people found the following review helpful.
The End of Rabbit Pies and Sheer Green Magic
By Pippin O' Rohan
If ever you are in need of a smile, this short children's book by Robert Graves and wonderful illustrations by Maurice Sendak will do the trick. The text is cleverly simplistic and elegant, and the amusing pictures tell it all. When Jack, an unhappy orphaned boy left in the custody of a rather dim aunt and uncle, discovers a large dusty book in the attic, he is able to redress the situation on the home front as well as curing the family dog of a dubious habit by means of a few wise and funny wishes. The last one he makes is bound to make everybody laugh with appreciation. An original and great book for people of all ages who want to grow up to be a kid.

6 of 6 people found the following review helpful.
I finally found it listed in amazon
By Korinthos Kackis
I am 45 and I got this book (in german: das grüne Buch) as a gift when I was seven. I never forgot it. Once, when I was in 3rd grade, I took it to school and our (mathematics) teacher read it out loud during class. The teacher himself was touched by the book and came to me, and assured that it was a very fine book.

I appreciate both artists, Graves and Sendak.

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Rabu, 18 November 2015

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The Boggart, by Susan Cooper

Centuries old and thousands of miles from home

When Emily and Jess Volnik's family inherits a remote, crumbling Scottish castle, they also inherit the Boggart -- an invisible, mischievous spirit who's been playing tricks on residents of Castle Keep for generations. Then the Boggart is trapped in a rolltop desk and inadvertently shipped to the Volniks' home in Toronto, where nothing will ever be the same -- for the Volniks or the Boggart.

In a world that doesn't believe in magic, the Boggart's pranks wreak havoc. And even the newfound joys of peanut butter and pizza and fudge sauce eventually wear thin for the Boggart. He wants to go home -- but his only hope lies in a risky and daring blend of modern technology and ancient magic.

  • Sales Rank: #13792551 in Books
  • Published on: 1994
  • Format: Import
  • Original language: English
  • Dimensions: 7.80" h x .39" w x 5.04" l,
  • Binding: Paperback
  • 192 pages

From Publishers Weekly
The Boggart, a Scottish spirit delighting in practical jokes, is "one of the Old Things of the world" and belongs "to the cold separate heart of the Wild Magic." When the Volniks, a Canadian family, inherit the castle where the Boggart has lived for centuries, the shape-shifting mischief maker is accidentally transported to Toronto, where he discovers greater opportunities for trickery than he has ever imagined. Much gentle slapstick ensues when the ancient being visits Mrs. Volnik's antique shop and the theater run by Mr. Volnik. It falls to the Volnik children, Emily and Jessup, to befriend the prankster and send him home. Although far more lightheartedly, this boisterous romp draws upon the same powerful pre-Christian magic at the heart of Cooper's well-known Dark Is Rising sequence. Aside from all that is amusing and spooky, this tale offers a firmly grounded and utterly non-didactic introduction to some of the differences between the Old World and the New. Ages 9-12.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
Grade 4-7-- The Volnik family inherits a rundown old castle on an island off Scotland and visits their new property. After returning home, 12-year-old Emily and 10-year-old Jessup notice strange things happening. Their detective work eventually discloses the cause--a mischievous boggart has accidentally become trapped in a piece of furniture the family shipped home to Canada. Unfortunately, no adults believe them. The children claim innocence on Halloween night as pieces of furniture fly through the air and a bucket of water soaks their mother. Eventually, the boggart's pranks begin to cause serious problems; he becomes intrigued with the power of electricity, and causes a traffic accident that lands Emily in the hospital. Finally, he learns to communicate with the children by computer, causing the message-- "I want to go to my own country"--to appear in Gaelic on Jessup's screen. When he gets trapped in a black hole in a computer space-adventure game, the youngsters devise a daring, risky, and ultimately successful plan to help the boggart return home. The novel is fleshed out with numerous, vividly realized secondary characters, including various actors at the Chervil Playhouse, where Mr. Volnik is artistic director, as well as the novel's true villain, Dr. Stigmore, a psychiatrist and a parapsychology scholar who insists that Emily is a troubled adolescent in need of hospitalization. The intelligently thought-out clash between the ancient folkloric creature and modern science guarantees a wide audience. A lively story, compelling from first page to last, and a good bet for a read-aloud. --Ellen Fader, Westport Public Library, CT
Copyright 1993 Reed Business Information, Inc.

Review
"Kirkus Reviews," starred review

A comfortably old-fashioned story...splendidly comical.

"Kirkus Reviews," starred reviewA comfortably old-fashioned story...splendidly comical.

Most helpful customer reviews

0 of 0 people found the following review helpful.
interesting from the start
By Heather A.
My son needed this book for a school project & wasn't really happy about being "forced" to read. However, this book captured his interest quickly, and he really ended up enjoying it.

15 of 15 people found the following review helpful.
This is a great book if you like supernatural things.
By A Customer
I think this is a great book because it has excitement in every chapter. The Boggart is an invisible spirit that can change into anything at any time. The characters in this book are a computer whiz named Jessup, his sister Emily, and a mischievous little devil called Boggart. Some of the pranks that the Boggart pulls are making the furniture fly around the mother's antique store and then going into Jessup's computer game and becoming a blue flame. This was a fun book to read, and I had trouble puting it down!

13 of 13 people found the following review helpful.
Solid fantasy
By E. A Solinas
Susan Cooper is best known for The Dark is Rising Sequence, a mix of modern fantasy, folklore and Arthurian legend. In "The Boggart" she goes into related but different territory, loosing an ancient Scottish spirit on a modern family. Often cute and very interestingly written.
The boggart has lived in a decayed Scottish castle for centuries, making harmless mischief and shapeshifting into different forms. But when the elderly caretaker dies, the castle is inherited by the Volnik family, modern Canadians who don't know about the boggart. They arrive in Scotland to check out their rather decrepit property; the boggart decides to take a nap inside a rolltop desk... right before the desk is shipped back to Toronto.
When the desk arrives, the boggart makes the most of his situation by wreaking havoc with the electricity, furniture, non-Scottish foods like pizza, and eventually with traffic. His tricks, though not malicious, can quickly spin out of control and become dangerous. But eventually he wants to go home, communicating with Emily and Jess through the computer. Unfortunately, it's not so easy to get a boggart back to Scotland -- especially when the adults believe the boggart is nonexistant, and an obnoxious parapsychologist is sniffing around.
Until relatively recently, few people knew about the mythical boggart (similar to the bogle). Cooper saves this book from being a typical story of a mythical creature wreaking havoc in the real world by using a little-known Celtic spirit; the result is that the boggart is charming and likable, almost childlike in its mischief, delight over electricity, and quickly-forgotten emotions. The best parts of the book are the ones from the boggart's point of view, such as its memory of a Scottish chieftain who died long ago.
"The Boggart" is a slightly less sparkling book than the "Dark is Rising" books, mostly because her prose is plainer and less detailed here. It only really blossoms when we head to Scotland, the sort of ancient atmospheric surroundings that Cooper seems most comfortable writing.
The boggart, the star, is likably mischievous; Cooper manages to make it inhuman at the same time. It never thinks or acts like a human. Emily and Jessup are likable characters, with distinct personalities. Supporting characters like the parents or the actors are well-fleshed out, never acting like idiots if they don't know about the boggart.
A unique mix of folklore and modern technology. This book could have been so very mediocre, but instead it's a funny, intriguing fantasy. Recommended.

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