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'The first poet in the world in some things', is how John Donne was described by his contemporary Ben Jonson.
Yet it is only this century that Donne has been indisputably established as a great poet—and even, many feel, the greatest love poet of them all. Jonson went on to remark that 'That Donne, for not keeping of an accent, deserved hanging', yet Donne's rhythms, once thought 'unmusical' are now recognized as the natural rhythms of the speaking voice; his 'eccentricity' as a complex self-doubt; his 'obscurity' the reflection of a brilliantly learned and allusive mind. Poets such as Eliot and Empson have found Donne's poetry profoundly attuned to our modern age, while Yeats' glowing comment will always be true: 'the intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion.'
This volume, superbly edited by Professor Smith, is the first complete edition to make a serious attempt to guide the reader closely through the complexities of Donne's poetry. Considerable attention has been paid to the text, and a selection of the important manuscript variants are included. This edition is also the first to make use of the newly discovered manuscript of the verse letter to Lady Carey and Mistress Essex Rich.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #118679 in Books
- Published on: 1977-08-25
- Released on: 1977-08-25
- Original language: English
- Number of items: 1
- Dimensions: 7.73" h x 1.23" w x 5.05" l, 1.04 pounds
- Binding: Paperback
- 688 pages
About the Author
John Donne was born into a Catholic family in 1572. After a conventional education at Hart Hall, Oxford and Lincoln's Inn, he took part in the Earl of Essex's expedition to the Azores in 1597. He secretly married Anne More in December 1601 and was imprisoned by her father, Sir George, in the Fleet two months later. He was ordained priest in January 1615 and took a Doctorate of Divinity at Cambridge the same year. He was made Dean of St Paul's in London in 1621, a position he held until his death in 1631. He is famous for the sermons he preached in his later years, as well as for his poems.
A.J. Smith was Professor Emeritus of the University of Southampton. His book include Literary Love (1983) and Metaphysical Wit (1992). He died in Salisbury in 1991.
Most helpful customer reviews
30 of 30 people found the following review helpful.
A great book
By S. Anderson
I am greatly enjoying this book. The notes at the end explain some of Donne's more obscure imagery. A potentially controversial choice by the editor was to change the spelling of many words to more modern forms, which makes the poems easier to read at the expense of authenticity. Some people will like that and some people won't. Another odd choice was to list the poems in alphabetical order, instead of grouping them by subject matter or attemp to list them in approxiamte chronolgical order.
Buy this book and enjoy the breathtaking poems. You could do a lot worse with your time.
0 of 0 people found the following review helpful.
Five Stars
By Troy Omafray
Good order. Thanks
16 of 18 people found the following review helpful.
Enjoying poetry that sounds good when read out loud
By Vincent Poirier
Finally, I've found a poet I really like reading. Donne's poems suit me more than Shakespeare's sonnets or Poe's verse, and apart from someone like Yvor Winters, I just don't get modern poetry (apologies to Sylvia Plath fans).
What rings well with me is, well, ringing well! Reading a poem out loud with a bit of drama should just sound good. That's why rap and hip hop can really be considered poetry (well, some rap and hiphop anyway).
A great example of this is Shakespeare's sonnet 129 (The expense of spirit in a waste of shame/Is lust in action; and till action, lust...). Most (not all) of Shakespeare's sonnets are harder to understand than this one, which is why they don't resonate with me as well as I'd like. Donne on the other hand is different; most of what he writes in English sounds good and is immediately understandable.
Not that I understand everything in these poems, there are many contemporary allusions that are lost on me, but there's enough in there that sounds very good to allow me to right away enjoy myself. Here are two great lines, which open the sonnet "Community", to illustrate what I mean by good sound.
Good we must love, and must hate ill,
For ill is ill, and good good still...
There are problems, themselves interesting, that bring discord to a poem. For instance in Donne's England "love" rhymed with "prove" but because today these words don't, a couplet with this rhyme is marred to our 21st century ears.
A personal note: I was in bed reading "Soul Made Flesh" about the discovery that the brain is the seat of consciousness, made by Oxford scholars in 17th century England. I had reached an account of how large audiences of curious onlookers gathered to see doctors perform autopsies. I put the book down and decided to dip into Donne before going to sleep. I flipped out when I read The Damp's opening lines:
When I am dead, and doctors know not why,
And my friends' curiosity
Will have me cut up to survey each part...
Talk about serendipity! Now if I had just read an explanation of these lines in the notes, they would not have meant much to me. But because reading "Soul Made Flesh" had transported me into Donne's England for a few moments, the dramatic effect of the opening was multiplied immensely.
In a nutshell, I find that I love Donne and I recommend this comprehensive easy-to-carry well-annotated edition. My only negative comment is that the editing is a bit unimaginative: the editor places the sonnets in alphabetical order of title simply because there is no accepted canonical ordering... Oh well.
Vincent Poirier, Tokyo
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