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Ragged Dick and Struggling Upward (Penguin American Library), by Carl Bode, Horatio Alger Jr.

Ragged Dick and Struggling Upward (Penguin American Library), by Carl Bode, Horatio Alger Jr.



Ragged Dick and Struggling Upward (Penguin American Library), by Carl Bode, Horatio Alger Jr.

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Ragged Dick and Struggling Upward (Penguin American Library), by Carl Bode, Horatio Alger Jr.

From the 1860's through the 1890s, Horatio Alger wrote hundreds of novels to teach young boys the merits of honesty, hard work, and cheerfulness in the face of adversity. As Carl Bode points out in his introduction, Horatio Alger filled a void in American literature and met scant competition both in the nature and the number of his works. Like his heroes, Alger rose to the top by chance, coincidence, and hard work.

The hero of Ragged Dick is a veritable "diamond in the rough"—as innately virtuous as he is streetwise and cocky. Immediately popular with young readers, the novel also appealed to parents, who repsonded to its colorful espousal of the Protestant ethic. Struggling Upward, published nearly thirty years later, followed the same time-tested formulas, and despite critical indifference it, too, had mass appeal.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #560058 in Books
  • Published on: 1985-01-08
  • Released on: 1985-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.69" h x .63" w x 5.05" l,
  • Binding: Paperback
  • 304 pages

From the Back Cover
The hero of 'Ragged Dick' is a veritable 'diamond in the rough'-as innately virtuous as he is streetwise and cocky. Immediately popular with young readers, the novel also appealed to parents, who responded to its colorful espousal of the Protestant ethic. 'Struggling Upward' published nearly thirty years later, followed the same time-tested formulas, and despite critical indifference it, too, had mass appeal.

About the Author
Horatio Alger, Jr. was born in Chelsea, Massachusetts in 1832, the son of a Unitarian minister. He received a strict upbringing and was educated for a life in the church, graduating from Harvard in 1852.

After leaving Harvard, Alger, to his father's disappointment, took a job as a historian in Middlesex County, Massachusetts and later worked as a teacher at a boys' boarding school in East Greenwich, Rhode Island. He traveled in Europe for a year, and then returned to the United States in 1857 to complete his studies at the Cambridge Divinity School.

In 1864 Alger was ordained a minister at the First Parish Unitarian Church of Brewster on Cape Cod. Sixteen months later, however, he was dismissed from the pulpit after being accused of engaging in homosexual relations with two boys. After his dismissal, Alger began to focus on his writing career, which spanned more than three decades and 110 books. He wrote mainly children's books about boys and girls who rise from rags to riches through hard work and faith in the American dream. His first major success came with the publication of his eighth novel, Ragged Dick in 1868. Other popular novels include Luck and Pluck (1869), Tattered Tom (1871), and Strive and Succeed (1872). Alger also wrote several adult novels, including A Fancy of Her's (first publihsed as The New Schoolma'am in 1877) and The Disagreeable Woman (1895).

Alger, who never married, spent the last decades of his life living at his family home in South Natick, Massachusetts, where he died in 1899.

Carl Bode, professor emeritus of English/American Studies at the University of Maryland, is a freelance writer. Founder and first president of the American Studies Assocation, he is also past president of he Popular Culture Association and the Mencken Society. His books include The American Lyceum, Antebellum Culture, and Mencken. He has edited Collected Poems of Henry Thoreau and The Best of Thoreau's Journals; and has co-edited The Correspondence of Henry David Thoreau and, in collaboration with Malcolm Cowley, The Portable Emerson.

Most helpful customer reviews

43 of 45 people found the following review helpful.
Take their Goosebumps book & give them this
By Orrin C. Judd
Your great grandfathers read them by the fistful. Even your grandfathers probably read at least a few of them. But the days when Horatio Alger was one of the most widely read authors in America have long since passed. Alger's message--that by dint of hard work, decent morals, good manners and a hefty serving of luck, any American boy can rise from rags to riches--is so clearly anathema to the literati that his dismissal by the critics and the continuing refusal to treat his work as anything other than simple-minded boosterism was virtually foreordained.
However, you would think that Alger's novels would warrant greater scrutiny simply for their obvious cultural impact. It is not an overstatement to say that it is likely that every significant man of business, politics, literature and academia in America in the early decades of this century had read the works of Horatio Alger. How can you hope to understand these men and the America that they forged if you ignore the one author who was most likely a formative influence on them? More than that, it is certainly the case that except for a couple of decades of despair brought on by the Great Depression, it is, has been, and seems sure to remain, the uniquely American idea that anyone can succeed. It is amazing the number of times you will hear folks from foreign countries speak about how this perception of unlimited possibilities is something that you only find in America (Howard Evans on Booknotes one night springs to mind). This after all is why we are the one nation that welcomes immigrants. Other countries assume that immigrants will just get on the dole and stay there; we assume they will not only succeed, but will flourish. Alger is certainly not the originator of these belief, but his millions of books must have contributed something to this entrepreneurial spirit that informs the national soul.
Besides that, they are just fun. There is something refreshing about Alger's straightforward, unmannered writing style. The mere absence of all of the modern stylistic devices that so often make reading modern novels a chore, makes reading the books a pleasure. Besides, who doesn't get a vicarious thrill reading about a good boy making good. And, beneath the outer layers of poverty, Alger's heroes are enormously appealing; here's his description of Richard "Ragged Dick" Hunter:
Dick's appearance as he stood beside the box was rather peculiar. His pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which were gone except two, out of which peeped a shirt which looked as if it had been worn a month. To complete his costume he wore a coat too long for him, dating back, if one might judge from its general appearance, to a remote antiquity.
Washing the face and hands is usually considered proper in commencing the day, but Dick was above such refinement. He had no particular dislike to dirt, and did not think it necessary to remove several dark streaks on his face and hands. But in spite of his dirt and rags there was something about Dick that was attractive. It was easy to see that if he had been clean and well dressed he would have been decidedly good-looking. Some of his companions were sly, and their faces inspired distrust; but Dick had a frank, straight-forward manner that made him a favorite.
There is a reason that the term "Horatio Alger story" lives on in our lexicon. The concept touches something deep within our psyche, confirming something that we desperately want to believe about individuals and about the type of world and society that we live in.
Let the critics ridicule them, but when we stop believing in the power and the truth of the Alger myth, we will cease to be a great nation.
GRADE: B

12 of 13 people found the following review helpful.
Fast-moving and exciting, this book is worth buying.
By A Customer
Horatio Alger made an instant classic when he wrote this book. Fast-moving, you can finish the book in one sitting. These two stories will reach all youth and even adults. Perfect book for those comming of age. A definite 5-star book!

6 of 6 people found the following review helpful.
Ragged Dick - "rags to riches"
By Irina Kondrar
During 1850s, common stories about "poor city youths, newsboys and bootblacks" who became rich and famous which were popular. (Introduction, p. X) In "Ragged Dick" we have a young boy who is our "hero" or a main character which book concentrates upon. Alger opened up Dick's identity, inspirations, dreams, plans and hopes. Dick was a sarcastic youngster, generous towards friends, gambler and smoker. At the same time, he never steals, neither cheats nor hurt younger boys and this makes him a "noble" young gentleman. "[Dick's] pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which were gone except two, out of which peeped a shirt which looked as if it had been worn a month. To complete his costume he wore a coat too long for him, dating back, if one might judge from its general appearance, to a remote tranquility." (p. 4) Throughout the book Alger draws us to see the transfer of a boy who once was Ragged Dick into a respectable young gentleman Richard Hunter. "When Dick was dressed in his new attire, with his face and hands clean, and his hair brushed, it was difficult to image that he was the same boy" Dick changes from being uneducated, dirty and wearing ragged clothes that are too big for him into a "quite handsome...young gentleman, except that his hands were red and grimy". (p. 24) Alger could have made Dick a good looking, rich and educated young gentleman but he chose completely the opposite. This way of writing only made it more realistic since not everyone becomes rich; we work hard to get there.

Throughout the book, Alger opens the identities of all the characters, draws images of the New York City streets, transportation and structures. We learn about the games, cheats, crooks and tricks happening on the streets. (Introduction, p. xi) Alger draws our attention to the juvenile boys' desires for simple things such as: "a steady job, a decent place to sleep, a suit of clothing, respect from others" as well as planning for future. (Introduction, p. xii) There are a lot of details used to make our minds actually see the real pictures of the situations. Some of the details include about the greatest pleasure that Dick is experiencing with his saving's account that keeps on growing very slowly with every week and the first experience of washing his face because "[washing] the face and hands is usually considered proper in commencing the day, but Dick was above such refinement" (p. 4) Dick was unable to wash his hands and face since he was living on the street.

The reason why I think Ragged Dick was a success is because this story was easy to read as well as inspiring. I had been left with a feeling that just as Dick kept telling his friends they can become smart and rich, I could too. I also find it interesting how this uneducated, dirty, sarcastic, young boy over the period of approximately one year turn into this young noble gentleman. Just as Dick wasn't successful in everything he did, we tend to somehow compare ourselves to him. His life is quiet realistic and can be compared to some of our own lives. Although I do believe that Dick was a bit too optimistic then some of us, which is why not all of us will have the same ending.

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