PDF Download Feature Filmmaking at Used-Car Prices: Second Revised Edition, by Rick Schmidt
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Feature Filmmaking at Used-Car Prices: Second Revised Edition, by Rick Schmidt
PDF Download Feature Filmmaking at Used-Car Prices: Second Revised Edition, by Rick Schmidt
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In this revised and updated edition of Feature Filmmaking at Used-Car Prices, Rick Schmidt shows aspiring filmmakers step-by-step how to create a feature film for the price of a used car. Featuring extensive new material on using digital video technology and making the most of Internet resources, Schmidt's practical, no-nonsense handbook reveals the insider secrets to: -- Selecting and writing a story that can be produced on a tight budget-- Rallying a filmmaking team through creative contracts-- Shooting and editing with an original style-- Marketing the finished film and dealing with agents-- Making a collaborative featureFully revised and updated to cover the new technology that continues to revolutionize low-budget filmmaking, Schmidt's guide is as useful and relevant as ever. Complete with checklists, technical information, and sample budgets, this essential guide offers both inspiration and instruction for anyone who has the yen to make a film without breaking the bank.
- Sales Rank: #585317 in Books
- Published on: 2000-06-01
- Released on: 2000-05-01
- Original language: English
- Number of items: 1
- Dimensions: 8.38" h x 1.02" w x 5.72" l, .0 pounds
- Binding: Paperback
- 464 pages
Review
Making a movie is an expensive enterprise no matter which way you try to cut costs. Many women filmmakers find themselves trying to stretch miniscule budgets without compromising quality. This book offers practical tips on how to make a movie without wasting money. Rick Schmidt suggests saving money by shooting titles on location, renting film equipment at special weekend rates and building your own editing bench in your home. This is the kind of practical information that an apprentice would learn on a movie set. For example, the chapter on lighting explains ways to light a scene and what kind of lighting equipment to use. Rick suggests adding up the cost of different lighting ideas and the difficulty and time involved before proceeding, and then describes the lighting he used in several of his own feature films. Even simple housekeeping tricks can save money, and this book includes an array of checklists, sample budgets and contracts. With the humor of someone who has been there and made plenty of his own mistakes, Rick makes the mammoth task of making a movie seem within reach. -- From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by Susan Eastman
About the Author
Rick Schmidt has spent more than twenty-five years producing award-winning low-budget feature films that have received both national and international acclaim. His films include A Man, a Woman, and a Killer (codirected with Wayne Wang); Morgan's Cake; American Orpheus; and Blues for the Avatar; as well as several films produced through his collaborative Feature Workshops.
Excerpt. © Reprinted by permission. All rights reserved.
As I've mentioned in earlier chapters, most of your used-car budget will be eaten up by irreducible costs: equipment rentals, minimum salaries, food and transportation costs, filmstock, with the biggest bite out of your budget coming from lab expenses. While filmstock may be purchased from the lab, a large savings can be made by dealing directly with the distributor (Kodak, Fuji, etc.) unless the lab offers a blanket deal on all lab costs for your project (discussed later in this chapter). After the lab develops your footage, charging you the "processing" fee of so many cents per foot, you will probably need to have them print another copy of your film, a low-quality "work print" from which you can edit your feature without the risk of scratching or damaging your precious original footage. Because the lab must supply filmstock, make a contact print from your original, and process the results, the work print is very expensive.
Most helpful customer reviews
0 of 1 people found the following review helpful.
a good start at understanding the language of film
By Polly Hines
...a good start at understanding the language of film, especially if you have a story to tell.
12 of 14 people found the following review helpful.
Thanks to Mr Schmidt we were able to produce a movie!
By Laura Sherman
Rick Schmidt's book "Feature Filmmaking at Used Car Prices" is a very important book for any new filmmaker to read. He explains how to make a movie without spending a fortune.
Mandy Wildman and I formed Wild Heart Films in 1998. We produced our first feature, "In the Open" for only $7,000 using Mr. Schmidt's techniques. Although it was challenging, it was not impossible! Now we are in pre-production on a film with a higher budget.
If you are considering producing a movie, it would be a good idea to read this book cover to cover and apply the data!
6 of 6 people found the following review helpful.
Time for an update
By Gaines
This book is hopelessly outdated (as are my own), so I can't rate it any higher; but at least this guy is sincere. Some of the other reviewers act as if they expected the keys to the kingdom for under 20 bucks. And L Roc from Chi-town certainly got up on the wrong side of the crab dolly, except, of course, for hyping another book. In an age when you can buy your own production and editing equipment for under $10K, you don't need the strategies in this book or any other--save your money for tape stock--or to listen to the nay-sayers.
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